Well, how about this one? Chris and I are taking dance classes. Who would have thought that there is a
different way to dance than the way we used to do it back in the 60’s and
70’s. Ah, nostalgia. Fast songs back then meant one of two
things
1) Get out on the floor and move wherever
your body took you, often as fast as you could, to keep up with every note of
the beat. And if you remember some of
those beats, that meant moving awfully fast.
2) Forget the actual beat, keep your feet
pretty much in one place, and occasionally move your arms or sway from side to
side.
And slow dances meant hugging your
partner. That’s pretty much it. Hug as tightly as possible. Well, I guess it was OK to move occasionally,
maybe a little bit of a sway here and there. It was three or four minutes of what teenage
boys lived for, as I recall.
I have watched the so-called evolution of
dance through my kids as they grew up.
Kel was pretty much a number two style dancer, except he could
definitely stay on beat. Pretty good
musical ear on that one. Josh never did
dance much until he got to college.
That’s when he and Christi got caught up in a cultish little swing dance
group that performed for audiences and won awards at Houston Baptist
University. Not a sight you would have
seen when we were students there, but amazing nonetheless. Nathan appears to have reverted back to a
solid number two, barely moving anything but his arms (at least that’s what
Cailyn tells us). Now April, on the other
hand, is a master at all the specific move type line dances that I have a
terrible time learning.
So with that kind of a reverse legacy to
live up to, Chris and I signed up for a dance class through the senior adult
education wing of UTMB. I had no idea
what I was in for, but I have never been one to turn down a chance to do
something new and exciting. What strange
gyrations would they show us? Couldn’t be
too bad since you have to be at least 50 to get in on these classes. Line dances like April? Swing dancing like Josh and Christi? Or do
your own thing, 60’s style like Kel and Nathan and, well, me?
To my surprise and consternation (not in a
bad way. Just meant I had to actually
pay attention), our instructors assured us that we were going to do fine. And we started with … the rumba. Yep, the swing your hips, mysterious dance of
the movies. The 1940’s movies. 1-2-3 pause, 4-5-6 pause, start again pause,
girl under arm pause, wagon wheel turn pause, swing those hips, pause. Whew. What’s
next? Oh, so glad you asked. How about a little 1950’s swing? You know, Happy Days from TV. One, two, three-o’clock, four o’clock, rock. Five, six, seven o’clock, eight o’clock rock,
we’re gonna rock around the clock tonight …
Got it. Well, the footwork
anyway. We’re still working on the swing
and twist parts. And there is one more
thus far … the waltz. Ah, now that’s
more like it. Way more what I expected. And to my surprise, I found out that whenever
I do dance, like at weddings, I actually do the waltz. Well, my version of it. Slavish addiction to footwork has never been
my strong suit. 1,2,3, 4,5,6, promenade
around the room, junior promenade. Back to
1,2,3. Over and over again. Much easier than the other two. Hey, we’re gonna get this. As long as Chris learns my steps and can help
me remember what comes next. Watch out
Cailyn. I will be ready to dance at your
wedding. And Noa … who knows what
strange moves DadDad will have at yours.
Hebrews 2:18 says, “Because he himself suffered when he was tempted, he is able to help
those who are being tempted.”
Father, thank you for this really fun way
to exercise and hang out with a really beautiful gal at the same time. Amen.
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